To Die in Beverly Hills cc-2 Read online

  To Die in Beverly Hills

  ( Charles Carr - 2 )

  Gerald Petievich

  Gerald Petievich

  To Die in Beverly Hills

  ONE

  The bulletin board in the Detective Bureau was covered with a clear-plastic burglary occurrence chart dotted with red stickpins. Because Beverly Hills was a rich man's city, burglary was the only crime with enough weekly activity to be charted.

  Detective Travis Bailey was alone in the handsomely carpeted third-floor office. Rather than the dank, coffee-stained bullpens typically found in big-city police departments, the office was spacious and clean with colorful desk partitions. Rather than brownstone tenements, the window view was of a business district made up of shops that sold ostrich leather shoes, gold toothpicks, furs. Instead of an electric fan wafting stale cigarette and cigar smoke, the bureau was equipped with a modus operandi computer that had been the subject of an article in a police journal, and a bank of modern-looking interview rooms furnished with two-way mirrors and upholstered chairs.

  On Bailey's desk was an empty "in" basket and a message-nail piercing a four-inch stack of dated telephone messages. The corners of the stack were squared and each message in the pile bore Bailey's customary red-ink check mark. He slowly opened the desk drawer to avoid disrupting the pencils and other office supplies he kept carefully arranged and took out a perfectly sharpened number-two pencil. He spent some time doodling the name Lee on a pad, then tore the sheet of paper off the pad, wadded it up and tossed it in the wastebasket.

  The phone rang. He picked up the receiver. "Detectives. Bailey," he said.

  "I'm at a pay phone," Emil Kreuzer said with slightly less of the German accent he affected in his nightclub hypnosis act. "We can talk."

  "Was it there?" Bailey said.

  "You were right," Kreuzer said. "It's there. The art gallery man has it in his back room. Lee dealt behind our backs. He fucked us. God knows, this isn't the first time. He's probably hit us for something or another on every score. I told you I never liked him. The man is a weasel, a rotten fucking weasel. He stabbed us in the back."

  "You've actually seen the item?" Travis Bailey said.

  "Do you think I'd tell you something like this if I wasn't sure?" Kreuzer said. "I'm telling you that the same Picasso ink drawing that I saw hanging in the man's living room last week, the same one I noted on my little diagram, is right at this very moment hanging in the back room at the art gallery. The gallery man trusts me because of all the business I bring him, so he even told me what he paid for it. Fifteen thousand. He said it's worth eighty in Europe."

  "How do we know that the owner didn't rush down and peddle it five minutes after he saw that his house had been hit?" Bailey interrupted. "Everybody in this town knows how to play the collect-double-on-the-insurance game."

  "You didn't let me finish," Kreuzer said impatiently. "I conned the gallery man into telling me who brought it in. I told him that I had part of the action on the score. You know what he said to me? He said, 'That's between you and Lee.' We've been fucked. Let there be no doubt."

  Bailey glanced at the door again. He was still alone in the office. "I don't like you to call me here," he said.

  "I thought this was something you'd want to know immediately."

  Bailey bit his lip as he thought about what Kreuzer had told him.

  "What are you going to do?" Kreuzer asked after a moment of silence.

  "I'll take care of the problem."

  "I'm behind you however you decide to handle it," Kreuzer said. "I want you to know that."

  Travis Bailey set the receiver down. Having pulled a tissue and a bottle of window cleaner out of a drawer, he carefully cleaned the glass covering the top of his desk. He tossed the soiled tissue into the wastebasket and returned the bottle to its proper place. He stood up and shrugged on a black-and-white hound’s-tooth sport coat and adjusted the crotch of his custom-made trousers.

  The telephone rang again.

  "Detectives. Bailey."

  "This is Jerome Hartmann," said a man with a mellifluous voice. "My home is on Beverly Glen Drive. I'm leaving town for a two-week vacation and I'd like to have someone from the Department stop by before I leave. I'm a little worried about leaving my home unguarded at the present time."

  "Are you the Hartmann that is the bank president?" Bailey said.

  There was the sound of ice tinkling in a glass. "Yes," Hartmann said, "I take it you recognize my name from the article in today's paper?"

  "Yes, sir, I do," Bailey said. "I'm free this morning if you'd like to get together." Bailey used a sharpened pencil to take down Hartmann's address. He hung up the phone. There was a Los Angeles Times on top of a filing cabinet. He turned to the second-page article he'd scanned earlier that morning.

  Los Angeles, July 30-Assistant United States Attorney Reba Partch announced today that she plans to call Jerome Hartmann, president of the Beverly Hills Branch of the Bank of Commerce-Pacific, to testify as a witness against reputed Mafia figure Anthony Dio and three accomplices who allegedly conspired to force Hartmann to substitute counterfeit money for money held in the bank's vault.

  The scheme, which was aided by a bank teller supposedly enlisted by Dio, was thwarted by Hartmann when he reported the incident to U.S. Treasury Agents. At their request, he agreed to wear a recording device when he met Dio's men at a later meeting.

  "The government plans to show an organized crime conspiracy attempting to defraud the bank of millions of dollars by the use of extortion and counterfeiting," Partch said.

  Having read the article, Bailey tossed the newspaper back on the cabinet and proceeded to the men's room. He washed his hands thoroughly with soap and water and ran a comb through his hair. Standing in front of the mirror, he fiddled his silk necktie into place and brushed off his sport coat. Knowing he looked his best, he posed his right profile. He knew that his clean features, parted dark hair and powerful jaw line (which he considered to be his best feature) gave him the look of the archetypical young screen detective. Why not dress the part?

  Before leaving, Bailey stuck his head in Captain Cleaver's office. Cleaver, a bald, well-fed man with a cocoa tan nourished by year-round weekend visits to his Palm Springs condominium, looked up from a copy of the Wall Street Journal. He arched his eyebrows. "Heard anything?" Bailey said in a tone of deference.

  Cleaver's eyes returned to the newspaper. "Delsey Piper can start in the Detective Bureau next Monday," he said without expression. "The Chief bought the undercover angle…says he likes the idea of having a female detective. After I walked out of his office he called up that woman on the City Council and told her it was his idea to bring the first woman into the Detective Bureau. His secretary told me."

  "You won't be sorry, Cap," Bailey said. "With a woman working undercover we'll be able to make some heavy cases. Burglars and receivers are wise to the undercover bit, but not with a woman. I guarantee lots of stolen property recoveries."

  Cleaver turned a newspaper page. "There'd better be a lot of recoveries," he said without looking up. "Every officer in this department is going to be pissed off at a female with barely a year's experience in a radio car being promoted to detective. I'm not looking forward to all the moaning and bitching I'm going to have to take over this. I expect you to make sure she doesn't fall flat on her ass," he said, glancing pointedly at Bailey. "I don't need any Dickless Tracy problems."

  "I'll keep her under my wing," Bailey said. "I guarantee lots of recoveries." He winked.

  Cleaver grinned sardonically. "Now that you mention it, it is a real shame to see the insurance companies having trouble using up their stolen-property-reward funds."

 
; The men smiled at one another. Travis Bailey turned and headed for the doorway.

  "Are you balling her?" Cleaver asked.

  Bailey stopped just outside his office. "No, I'm not," he lied.

  As Travis Bailey climbed into his unmarked sedan in the police parking lot, a Rolls-Royce sped by at at least seventy miles per hour. Speed was a privilege of the residents of Beverly Hills. "Don't write tickets for people who live in this town," a veteran patrolman told him twelve years ago when he first reported for duty, "and call the Chief at home, even if it's in the middle of the night, before you arrest one of these rich motherfuckers. Arresting anyone in this town except a burglar is the quickest way to end up with a career in the property room. Unless you get a charge out of stacking evidence in the basement eight hours a day for the rest of your career, go along with the program."

  The advice had served him well; three years in a radio car and he went straight to Detectives. He chalked up his rapid promotion to the fact that he had realized early on that the name of the game was informants. One good snitch solved burglaries that a thousand fingerprint-and-photo men could spend the rest of their lives investigating.

  Bailey started the engine and drove out of the parking lot. Almost by rote he made right turns through the glittery business district to avoid the usual traffic tie-ups. Hell, after more than ten years in the Department he could draw a map of the city blindfolded. As a matter of fact, he'd cinched his promotion to detective II by submitting a paper called "The Geography of Burglary Patterns in the City of Beverly Hills" to the easily snowable Chief of Police. In it he espoused his "funnel theory" and documented it with lots of criminology jargon and some aerial photos he'd borrowed from the Sheriff's Helicopter Unit. The theory went like this: Since the city was shaped like a funnel, with residential areas nestled against the foothills at the northern-most boundary (the rim of the funnel was the golf course), the majority of radio-car patrol services should be concentrated there rather than on the relatively burglary-free areas in the south, which formed the spout of the funnel. Or something like that.

  He drove out of the business district and onto a busy thoroughfare, passing a line of medium-sized office buildings that he knew were bursting with lawyers' offices. Minutes later, he stopped at a red light that marked the city limits.

  Across the street, where West Los Angeles began, was a brick building with brass letters above the front door reading Pascoe Military Academy. Centered in the square of lawn in front of the building, a bird-stained statue of a cadet saluted the boulevard. Adjoining the academy was an asphalt-covered playground surrounded by chain link fence. In the playground a group of boys wearing starched olive drab uniforms, red epaulets and garrison caps stood in military formation. A similarly costumed man with a white-sidewall haircut stood on a small platform in front of them. Bailey had attended the academy from age twelve to sixteen and knew that the man was the commandant and was probably announcing the orders of the day.

  Next to the academy playground was the grounds of a pet cemetery marked by a perimeter of tall Italian cypress bushes. It was there, after taps and on weekends, that the upperclassmen initiated the younger cadets to snipe hunts, sodomy, jack-off contests and the technique of holding one's breath until one passed out; kiddie-soldier play.

  Having checked for cross-traffic, he drove through the red light. After a block or so, he turned north on a street that returned him to the boundaries of The City. Slowly, he wound through wide palm-lined streets of imposing homes (realtors said there was no lot in The City valued under a million dollars) in various conservative styles. Though no two residences were identical, there were few without multicar garages, abundant flowers and greenery. Tennis courts (by unwritten law) were not visible from the street. The wide streets, sidewalks and driveways were remarkably free of stains as well as any hint of trash or other detritus.

  The only vehicles parked on the street belonged to caterers and gardeners; those in service to the movie stars, kingpins, chairmen of the board, directors, producers and socialites who were residents of The City.

  Finally, he reached Sunset Boulevard, turned left and drove past a bus bench. A pudgy, middle-aged blonde woman sitting on the bench reminded him of his deceased mother. Perhaps, he thought to himself, it was just her maid's uniform. Or maybe it was the uniform along with the frizzy, peroxide hair. He remembered how the vice-president-in-charge-of-production who had employed her always paid her with a studio expense check in order to beat the I.R.S. In the city, everything was a write-off.

  Travis Bailey kept his eyes on the painted curb signs until he found the house he was looking for. He swerved right and followed a semicircular driveway to the front of an immaculate Tudor-style mansion. He parked, then slipped a comb from his shirt pocket and ran it through his hair before he climbed out of his car and headed for the front door. Cautiously, he used the lion's head doorknocker. A lean, middle-aged man wearing a gray blazer that matched the color of his hair opened the door. He held a drink in a slim glass.

  Travis Bailey showed his badge.

  "Won't you come in?" Jerome Hartmann said after the two men shook hands.

  He followed Hartmann along a hallway past a darkened study and into a spacious living room decorated with abstract oil paintings and tapestries. The wall facing the rear of the house was a bank of sliding glass doors leading to a grotto-style pool. An aquarium filled the wall between the sliding glass door and the hallway. Facing it across an expanse of brown shag carpeting that matched the grotto masonry was a diminutive polished-wood bar arrangement.

  Bailey took a seat on a sofa.

  Hartmann sat down in an uncomfortable-looking chair. He caught himself sipping his drink and, perfunctorily, offered one to Bailey. As expected, Bailey refused. "I take it you're aware of this counterfeiting case I'm involved in," Hartmann said.

  "Just what I've read in the newspapers."

  "Then I'm sure you understand why I'm a little apprehensive about going away for two weeks. My help is on vacation, so no one will be here, I don't even own a dog. I'm worried about someone planting a bomb in my house while I'm gone. This probably sounds a little silly to you." He sipped his drink.

  "Not at all, sir," Bailey said. "But hasn't the federal government offered you protection as a witness?"

  "Yes, they have," he said, "but it's too complicated. I don't want people hanging around me all day. I'd just appreciate some special consideration by the Department while I'm gone. If you could just have one of the patrol officers stop by and check things out once or twice a day at their convenience…"

  "No problem, Mr. Hartmann, I'll get the word out to the area car," Bailey said. "And as a matter of fact, I'll stop by myself now and then just to check things out." Bailey made a policeman's courtesy-wink.

  "It'll sure help my peace of mind," Hartmann said.

  "Who's handling the Treasury case?"

  "Agent Carr. Charles Carr."

  "I've met him."

  "Small world," Hartmann said without interest. He gave a banker's terse smile that meant that the meeting was over.

  Bailey stood up and shook hands again with Hartmann before he left.

  In the unmarked car, he wound south through familiar streets. As usual, things were quiet. Now and then a Mercedes-Benz or a Cadillac slithered out of a driveway. There was the usual number of well-attired joggers running about, a few servants carrying things in and out of homes, a caterer looking for an address.

  As he drove, Travis Bailey sorted things out in his mind. As he recently lectured at a Police Management Seminar, the objective of police planning was to set priorities on problems, define challenges and make sound and permanent decisions. After cruising about for what must have been an hour, he decided to give the good news to Delsey Piper. Why not pick the most pleasant task first? Begin what was sure to be stress-causing with something stress-relieving? He reached for the radio microphone. "David Fourteen," he said in a radio voice. "Have David Niner meet me at the golf co
urse to take a theft report."

  "Roger, David Fourteen."

  By the time he arrived at their usual meeting spot, a deserted cluster of trees at the northern edge of the Beverly Hills Golf Course, Delsey Piper was already there. Her black-and-white was parked under a tree next to a high fence. Dressed in full uniform, she was perched on a front fender. Holding a little mirror, she was brushing her short blonde hair when he parked his car and climbed out.

  "A theft report?" she said, amused. "What'll you think of next?"

  "You start in the Detective Bureau next Monday," he told her, taking in a view of the golf course stretching below him. Here he was at the top of the city.

  She squealed and jumped off the fender. Her uniform equipment rattled. "No lie?"

  "No lie," he said. "Cleaver got the okay from the Chief today."

  "Hooray!" she said, jumping up and down. "No more chickenshit parking tickets! No more traffic accident reports! Ultrabitchin'! Dynamite!" She continued to bounce up and down like a cheerleader.

  Travis Bailey stared with an amused smile at her reaction. He reminded himself that she was only twenty-two years old. He grabbed her Sam Browne belt and pulled her to him. She was still giggling as their mouths met. As they kissed, he found the zippered fly on her uniform trousers and pulled it down.

  "What if somebody comes up here?" she said.

  "Then they'll find a policewoman getting fucked doggie style," he whispered. He unfastened her belt buckle. The belt, with its heavy equipment, dropped to the ground. He tugged on her trousers, then panties.

  "You're so gross," she said, kicking off her trousers.

  He spun her ample hips around and pushed her against the police car.

  L.A.'s permanent layer of smog was hidden by darkness. Looking through binoculars, Charles Carr stood at the window inside a dark and bare-floored apartment. He knew that the black woman standing inside the bay-windowed apartment across the courtyard couldn't see him. In his line of work, he mused, invisibility was an ideal condition. His feet certainly didn't feel invisible. They were tired to the point of numbness. The stakeout was in its tenth hour.